Showing posts with label readers theatre. Show all posts
Showing posts with label readers theatre. Show all posts

Friday, November 7, 2014

Using Readers Theatre with Small Groups

Do you hesitate to use plays with your students because you’re dealing with such a small group? Whether you’re a special education teacher, homeschooler, religious educator, or involved parent, readers theatre can work for you and your kids! Here are some suggestions to help you modify theatre activities for your situation:

1. Cut! Mark out minor characters’ lines and eliminate nonessential scenes.

2. Take turns. Just round robin read instead of assigning parts. Everybody gets to read about the same amount and try out different roles.

3. There are no small parts…. Assign the big roles to the kids, then do all the small roles yourself. Or let one kid do all the small roles. (This is great for practicing different voices.)

4. Make do with two. If you only have two students – or just yourself and one student – then divide and conquer. Have one person do all the male roles while another does all the female roles. Or assign one large role and a few small roles to each actor. Or split up the adults’ and children’s roles. (It’s fun and funny for you to play the kids!)

5. Take a chance. Have everyone randomly draw characters’ names until all parts are assigned.

6. Put the narrator on a “soundtrack.” Record someone – yourself, a student, or a special “guest star” – reading the narrator’s part ahead of time. Then play the tape between the “live” reading of other parts.

For other theatre suggestions, go to my website and click on the theatre tab.


Friday, September 26, 2014

What is Readers Theatre Anyway?

Readers’ theater is easier theater! Actors don’t memorize their lines—they simply read from their scripts. Because memorization isn’t an issue, more students are able to handle large roles. Also, extensive rehearsal isn’t necessary. And, unlike “regular” theater, a readers’ theater production isn’t thrown into a tailspin by memory lapses or absences.

Other aspects of readers’ theater are easy, too. Sets, costumes, props, and even movement are not needed as the plays are written to work without them. The extras can be included if desired, but readers’ theater works even if the actors just sit there and read!

How Do I Get Started?
Before you use a readers’ theater play, read it yourself and make sure the content, theme, and vocabulary are appropriate for your students. Decide whether you need to preview any concepts or vocabulary. If you are thinking about staging the play for an audience, consider which students might fit which roles, but don’t set your cast just yet.

Once you decide on a play, make as many copies of the script as there are parts plus one for yourself. Highlight one character’s lines in each copy (except yours) to make it easier for kids to read. Covering or binding scripts will help them last through multiple readings.

After giving students time to read through their scripts silently, have them read the play aloud, changing roles with each scene if you wish. This kind of read-through makes a good, one-time, supplemental activity, but you can do much more with readers’ theater!

For example, you could have students read a particular script multiple times on different days. The repetition gives you several opportunities to teach comprehension skills like character traits, motivation, story structure, theme, and cause-and-effect. And rereading allows kids to relax about the reading itself and develop a deeper understanding of the characters and theme of the play.

Multiple readings also improve fluency and expression. You can help with these skills by asking questions about the characters’ feelings and motivation. If a student has difficulty with expression, “echo reading” can help. You model his lines with good expression and have him copy you. It doesn’t usually take much of this practice to get a young actor on the right track. Allowing students to record themselves as they read their lines and listen afterwards also develops better expression.

After several readings, you might want to move students from their seats to a traditional readers’ theater set-up. The actors in readers’ theater usually sit on stools or chairs throughout the play, holding and reading their scripts. Sometimes the actors sit with their backs to the audience, “entering” by facing front and reading their lines and “exiting” by turning around again. The narrator might stand to one side or read from a lectern. This kind of staging can make readers’ theater more fun for your students and motivate them to further improve their performances.


For more about theater, go to my website and click on the Theatre for Teachers tab.

And here are some readers theatre collections I wrote:

     These humorous readers theatre scripts offer real-life settings and contemporary characters. Each play pokes gentle fun at annoying traits, school-based dilemmas, or the embarrassing moments that are part of growing up. With resolutions that emphasize creative solutions, humor, or cleverness, these plays work to improve language arts skills. (Grades 4 to 8)

     This collection of humorous, contemporary plays is organized around special times of year such as holidays, the first day of school, a snow day, etc. Teachers can find an appropriate readers theatre script at almost any time with this valuable resource, and kids will have fun improving their language arts skills as they perform these plays. (Grades 6 to 8) 

     Twelve humorous readers theater scripts engage and entertain students in fourth through eighth grades. The book includes a play for every month of the year. Each script features a contemporary kid in a real-life situation—and a saint who helps him or her solve the problem! (Grades 4 to 8)


Wednesday, August 20, 2014

It's that time again!

It's time for school to start! Here's a handy resource for teachers to use throughout the school year. (Yes, it's one of mine from ABC-CLIO!)  All Year Long! Funny Readers Theatre for Life's Special Times  offers easy-to-use plays themed to different times of the year -- first day of school, Labor Day, Columbus Day, St. Valentine's Day, a snow day, etc., etc. Check out this video about the book. (It's the first one I ever made using Movie Maker, a program that, unbeknowst to me for quite some time, was lurking on my computer!)


Friday, November 8, 2013

Readers Theatre: Shortcut to Dramatic Success


     Just think of what could go wrong if your students put on a public performance!
     Go ahead. I’ll wait….

     Did you imagine the awkward silence that hangs in the air when someone forgets his lines?
     Maybe you visualized a catastrophic set collapse? Or a time-sensitive prop that breaks at the very second it’s needed?
     Perhaps a long-buried memory of some costuming trauma broke into your consciousness? Ripped seams? Dropped pants? Disintegrating turbans?
     Or did you envision the director’s worst nightmare – the absent actor! Oh, the horror!
     Now take a deep breath and read on to find out about the cure for all these problems: readers theatre!

What is readers theatre?

     In readers theatre, actors keep their scripts and read their lines instead of memorizing them. Costumes, sets, props, and even movement are not needed. Kids can just sit there and read!

What’s so great about readers theatre?

     Since the actors always have their scripts right in front of them, there’s a lot less pressure in readers theatre. The constant worry that someone’s going to forget a line is gone! Kids can feel more confident about performing well – and they can handle “bigger” roles than they thought possible.
     Needing less rehearsal to put together a production is another benefit of readers theatre. You don’t have to keep practicing until you’ve pounded the lines into everybody’s heads! And you don’t need to spend time blocking out movements and rehearsing them over and over. Usually, the actors just sit quietly on chairs or stools until it’s time to read their parts. If you want to get fancy, you can have the actors put their backs to the audience when they’re not reading and turn around when they are.
     And let’s face it: the extras like costumes, sets, and props add a lot of hard work to a production. They can cause problems, too, when they malfunction, break, or disappear. Leaving them out of your readers theatre production means you’ll be ready for a public performance more quickly – and things are likely to run more smoothly.
     And if your star is absent? No big deal! Somebody else can simply read the part. Having someone understudy big roles just in case is a good idea, but the show can still go on even if you don’t do that.

But props are fun! And costumes are cute! And isn’t all that sitting around kind of boring?

     Remember – we’re talking about a shortcut here. Readers theatre can get you to a successful performance quickly. Without all the extras, your rehearsals can focus on good expression, authentic emotion, and realistic portrayals. So a readers theatre production is anything but boring!
     However, the extras are fun so you may want to use traditional readers theatre to get started and change things up later. After a few productions, you and your students might be ready to add some movements, costumes, props, or sets to their performances. You may even work into doing “regular” theatre, dropping scripts and memorizing lines. But don’t feel you have to make a big production out of your theatre program. Keep things as simple as you like – and as fun as you can!

For more about theatre in the classroom visit http://www.dianarjenkins.bravehost.com.

And here are some readers theatre collections I wrote:


     These humorous readers theatre scripts offer real-life settings and contemporary characters. Each play pokes gentle fun at annoying traits, school-based dilemmas, or the embarrassing moments that are part of growing up. With resolutions that emphasize creative solutions, humor, or cleverness, these plays work to improve language arts skills. (Grades 4 to 8)

     This collection of humorous, contemporary plays is organized around special times of year such as holidays, the first day of school, a snow day, etc. Teachers can find an appropriate readers theatre script at almost any time with this valuable resource, and kids will have fun improving their language arts skills as they perform these plays. (Grades 6 to 8) 

     Twelve humorous readers theater scripts engage and entertain students in fourth through eighth grades. The book includes a play for every month of the year. Each script features a contemporary kid in a real-life situation—and a saint who helps him or her solve the problem! (Grades 4 to 8)



Tuesday, May 11, 2010

Just Deal With It!

Here's a video about my first books of plays -- Just Deal With It! Funny Readers Theatre For Life's Not-So-Funny Moments. The book includes 19 funny plays about contemporary kids with real-life problems. My working title for the book was Not For Weak Stomachs, which conveyed the humor of the book but sounded just a little too...well...disgusting! Click here to view the video.

Tuesday, April 13, 2010

New video!


Check out this animoto video I made about All Year Long! Funny Readers Theatre for Life's Special Times! (This is fun! You can try it, too, here.)





Monday, April 12, 2010

Using Readers Theatre with Small Groups

Do you hesitate to use plays with your students because you’re dealing with such a small group? Whether you’re a special education teacher, homeschooler, religious educator, or involved parent, readers theatre can work for you and your kids! Here are some suggestions to help you modify theatre activities for your situation:

1. Cut! Mark out minor characters’ lines and eliminate nonessential scenes.

2. Take turns. Just round robin read instead of assigning parts. Everybody gets to read about the same amount and try out different roles.

3. There are no small parts…. Assign the big roles to the kids, then do all the small roles yourself. Or let one kid do all the small roles. (This is great for practicing different voices.)

4. Make do with two. If you only have two students – or just yourself and one student – then divide and conquer. Have one person do all the male roles while another does all the female roles. Or assign one large role and a few small roles to each actor. Or split up the adults’ and children’s roles. (It’s fun and funny for you to play the kids!)

5. Take a chance. Have everyone randomly draw characters’ names until all parts are assigned.

6. Put the narrator on a “soundtrack.” Record someone – yourself, a student, or a special “guest star” – reading the narrator’s part ahead of time. Then play the tape between the “live” reading of other parts.

For other theatre suggestions, go to my website and click on the theatre tab.


Thursday, April 8, 2010

Readers Theater -- Performing for an Audience

You may decide to use readers theater only as a supplemental educational activity. However, you could be tempted—or persuaded!—to actually stage a performance for a real, live audience.

How do you make the transition?

First of all, rehearse enough that actors can read with good expression and look up from their scripts occasionally. (But don’t over-rehearse! This is easier theater, remember?) Be sure to go through the whole play at least once without stopping. Set up your first “real” performance with an audience that’s not too threatening; a group of younger kids works well. Later, you can try performing for scarier audiences like peers or adults.

After some successful readers theater performances, your kids may naturally move towards something more like “regular” theater. They might make more facial expressions, gesture, or ask to act things out. At this point, you could abandon the traditional readers theater set-up and allow students to enter and exit and to move around the stage, holding their scripts.

Eventually, you may discover that your kids are memorizing some lines on their own. They might even ask to drop the scripts and do a “real” play. Or maybe you’ll decide to encourage that yourself and move completely into “regular” theater. That’s a great experience for your kids, but remember you don’t have to put together a big production. Feel free to stick to the simple, traditional, readers theater format.

The closer you get to a “regular” theater performance, the more likely it is that your kids will ask for sets, props, and costumes. If you decide to use these items, don’t rehearse with them right away as they distract kids from developing their characters and improving their performances.

Is It Really Worth It?

Every child can benefit from theater experiences. Of course, plays about a particular subject matter motivate kids to learn important information, but theater develops other academic skills, too. Performing a play helps kids develop language arts skills like listening, reading, and speaking. You can also use theater to improve writing skills by asking students to rewrite their lines, add new lines, or write the endings to interrupted lines. (The last one is really a must! Nothing is more awkward than an actor pausing before he’s actually interrupted. If he writes out the rest of his line, he can keep going until the next person breaks in or until the end of the line if necessary.) Kids can also write alternate endings to plays or make up their own scripts.

Theater yields nonacademic benefits, too. Putting on a performance takes skills like working hard, setting goals, meeting challenges, staying patient, and cooperating with others. (And that’s not just for the teacher!) Kids experience a real sense of accomplishment from their individual successes as well as the group’s achievements. And the self-esteem they develop in theater carries over into the rest of their lives!

For more information on using theater, go to my
website and click on the "Theatre for Teachers" tab.

Tuesday, April 6, 2010

What Is Readers' Theater, Anyway?

Readers’ theater is easier theater! Actors don’t memorize their lines—they simply read from their scripts. Because memorization isn’t an issue, more students are able to handle large roles. Also, extensive rehearsal isn’t necessary. And, unlike “regular” theater, a readers’ theater production isn’t thrown into a tailspin by memory lapses or absences.

Other aspects of readers’ theater are easy, too. Sets, costumes, props, and even movement are not needed as the plays are written to work without them. The extras can be included if desired, but readers’ theater works even if the actors just sit there and read!

How Do I Get Started?
Before you use a readers’ theater play, read it yourself and make sure the content, theme, and vocabulary are appropriate for your students. Decide whether you need to preview any concepts or vocabulary. If you are thinking about staging the play for an audience, consider which students might fit which roles, but don’t set your cast just yet.

Once you decide on a play, make as many copies of the script as there are parts plus one for yourself. Highlight one character’s lines in each copy (except yours) to make it easier for kids to read. Covering or binding scripts will help them last through multiple readings.

After giving students time to read through their scripts silently, have them read the play aloud, changing roles with each scene if you wish. This kind of read-through makes a good, one-time, supplemental activity, but you can do much more with readers’ theater!

For example, you could have students read a particular script multiple times on different days. The repetition gives you several opportunities to teach comprehension skills like character traits, motivation, story structure, theme, and cause-and-effect. And rereading allows kids to relax about the reading itself and develop a deeper understanding of the characters and theme of the play.

Multiple readings also improve fluency and expression. You can help with these skills by asking questions about the characters’ feelings and motivation. If a student has difficulty with expression, “echo reading” can help. You model his lines with good expression and have him copy you. It doesn’t usually take much of this practice to get a young actor on the right track. Allowing students to record themselves as they read their lines and listen afterwards also develops better expression.

After several readings, you might want to move students from their seats to a traditional readers’ theater set-up. The actors in readers’ theater usually sit on stools or chairs throughout the play, holding and reading their scripts. Sometimes the actors sit with their backs to the audience, “entering” by facing front and reading their lines and “exiting” by turning around again. The narrator might stand to one side or read from a lectern. This kind of staging can make readers’ theater more fun for your students and motivate them to further improve their performances.

Next Blog: Making the transition to performing for an audience.

For more about theater, go to my website and click on the Theatre for Teachers tab.

Thursday, March 19, 2009

Easier Theatre

Easier Theatre
When you consider using theatre with your students, don’t think of it as THE-AH-TAH! You don’t have to stage huge productions of Shakespearean dramas with hand-made costumes, award-winning sets, and Oscar-worthy performances. You can keep things simple and your kids will still get the benefits of theatre. (See “Ten Reasons Why Using Theatre in Your Classroom Isn't as Nuts as You Think” on my website http://www.dianarjenkins.bravenet.com/.) Here are some suggestions for making the use of theatre easier:

Keep it to yourself.
There’s no rule that says you must perform in front of an audience – you can use theatre just as a classroom experience. You’ll find that simple theatre activities can be fun, rewarding, and educational!
A little bit of theatre makes a good filler at the end of a period, in the few minutes before lunch, or just before going home. You can have kids play charades – either what I call “Big Idea” charades or the traditional game. In “Big Idea” charades, kids act out a whole concept at once. For example, a kid could pretend to paint on an easel for “artist” or act out hitting a ball and running the bases to get across “Babe Ruth.” In traditional charades, kids act out individual words or even syllables and the audience must put all the pieces together. A student could do something like hold up fingers for “three” and pretend to be a beast for “Three Bears.” Both activities make kids think, build their confidence, and help them become more comfortable standing up in front of people.
You can also work theatre into your subject areas. In Social Studies, kids could act out famous events like the Boston Tea Party, the discovery of King Tut’s tomb, etc. In Science, ask a student to pretend to be Louis Pasteur, Marie Curie, or another scientist and explain his or her discoveries. In English, have students ad lib new endings to stories or write short skits based on something they’ve read. These are valuable activities even if nobody in the outside world ever sees your kids perform.

Use readers theatre.
See “Readers Theatre -- The Shortcut to Dramatic Success” also on this blog.

Make it up as you go.
Maybe you want to have your students perform plays (in your classroom or for the outside world), but it just seems too complicated, time-consuming, etc. Readers theatre can help. (See above.) Or you might find it helpful to use the make-it-up-as-you-go method.
Choose a story familiar to your students. A folk tale or fairy tale works well, but you can use any story. Quickly assign parts, and then ask the kids to tell you how the story starts. Send the appropriate actors to the front of the room and have them act out the first scene. Then ask the kids about what happens next, add or remove actors as needed, and move on to the next scene. Continue on until the whole story has been acted out. You may need to ask leading questions or even model roles until kids get the idea.
After they’ve experienced this process a number of times over weeks or months (same story with different casts or different stories), your students will be able to put together some surprisingly well-developed scenes. And you might feel like you want to try performing something for an audience. If so, finalize your cast and let them rehearse enough that they’ve pretty well established what they’re going to say and do.
Maybe you’re thinking that a putting on a performance without a script is like doing a trapeze act without a net. There is a certain level of anxiety with the make-it-up-as-you-go method, but it has a lot of pluses, too. For one thing, kids have a real understanding of plot, motivation, and other aspects of the story, so they often give better performances than they would with a memorized play. And since they made the play up themselves, they’re not as likely to forget something important. Even if something does go amiss, it’s easy for other actors to adjust and fix the problem since they understand what should be happening, what the characters are feeling, etc.

Put together a Poetry Extravaganza!
A Poetry Extravaganza makes a great public performance, but it’s really easy to do -- especially if you use poetry throughout the year anyway! It also has the benefit of practically eliminating your worries about performance day absences. Here’s how to do it:
Expose your students to poetry regularly – even for just a few minutes here and there. Read poems to them, put poems on your bulletin board, pass out poems, and have students read and reread the poems in your reading or literature book. Whenever my students came to a poem, we read it several times and went back to previous poems in the book, too. Sometimes we took turns on verses or did choral reading. And now and then I tried to fit in poems in the last few minutes of class. Eventually, the kids began to become familiar with particular poems and we’d play around at reciting a few lines by heart. Some would even attempt to memorize whole poems.
Eventually, I’d suggest we put some poems together in a program. Kids would select poems they liked, either ones we’d already had in class or completely new poems. (I steered the students who had difficulties to the familiar poems and more capable students to something new.) We’d practice standing up in front of the room and reciting the poems. If a student wanted to do his poem by memory, he could. If not, then we put the poem on a cool-looking scroll, inside an appropriate book, or on a prop. Sometimes kids would come up with costumes that fit their poems, and sometimes other kids would appear on stage, too, acting out the poem. When everybody was pretty comfortable, we invited an audience to see our Poetry Extravaganza. If someone was absent…oh, well! We just skipped their poem! Missing background performers were easily replaced or eliminated.

Relax – right now!
Theater with kids can be nerve-wracking if you try to control things too much. Sure, you don’t want them running wild, but you need to accept that theater just isn’t as organized, calm, and rigid as some other activities. You can gently guide kids to be better performers (See “Is That a Woodpecker on Your Shoulder? Or How to Get Good Performances Out of Young Actors” also on this blog), but don’t squelch all their creativity trying to achieve perfection. Take a deep breath, relax, and enjoy!

Thursday, February 28, 2008

Readers Theatre - Shortcut to Dramatic Success

Just think of what could go wrong if your students put on a public performance!
Go ahead. I’ll wait….
Did you imagine the awkward silence that hangs in the air when someone forgets his lines?
Maybe you visualized a catastrophic set collapse? Or a time-sensitive prop that breaks at the very second it’s needed?
Perhaps a long-buried memory of some costuming trauma broke into your consciousness? Ripped seams? Dropped pants? Disintegrating turbans?
Or did you envision the director’s worst nightmare – the absent actor! Oh, the horror!
Now take a deep breath and read on to find out about the cure for all these problems: readers theatre!

What is readers theatre?
In readers theatre, actors keep their scripts and read their lines instead of memorizing them. Costumes, sets, props, and even movement are not needed. Kids can just sit there and read!

What’s so great about readers theatre?
Since the actors always have their scripts right in front of them, there’s a lot less pressure in readers theatre. The constant worry that someone’s going to forget a line is gone! Kids can feel more confident about performing well – and they can handle “bigger” roles than they thought possible.
Needing less rehearsal to put together a production is another benefit of readers theatre. You don’t have to keep practicing until you’ve pounded the lines into everybody’s heads! And you don’t need to spend time blocking out movements and rehearsing them over and over. Usually, the actors just sit quietly on chairs or stools until it’s time to read their parts. If you want to get fancy, you can have the actors put their backs to the audience when they’re not reading and turn around when they are.
And let’s face it: the extras like costumes, sets, and props add a lot of hard work to a production. They can cause problems, too, when they malfunction, break, or disappear. Leaving them out of your readers theatre production means you’ll be ready for a public performance more quickly – and things are likely to run more smoothly.
And if your star is absent? No big deal! Somebody else can simply read the part. Having someone understudy big roles just in case is a good idea, but the show can still go on even if you don’t do that.

But props are fun! And costumes are cute! And isn’t all that sitting around kind of boring?
Remember – we’re talking about a shortcut here. Readers theatre can get you to a successful performance quickly. Without all the extras, your rehearsals can focus on good expression, authentic emotion, and realistic portrayals. So a readers theatre production is anything but boring!
However, the extras are fun so you may want to use traditional readers theatre to get started and change things up later. After a few productions, you and your students might be ready to add some movements, costumes, props, or sets to their performances. You may even work into doing “regular” theatre, dropping scripts and memorizing lines. But don’t feel you have to make a big production out of your theatre program. Keep things as simple as you like – and as fun as you can!

For more about theatre in the classroom visit http://www.dianarjenkins.bravehost.com.