Showing posts with label plays for kids. Show all posts
Showing posts with label plays for kids. Show all posts

Tuesday, December 30, 2014

Tips for Writing Kids' Plays


If you write for children, don't limit yourself to traditional fiction. Use your story-telling skills to create plays kids will love. Here are a few suggestions about how to do it:


                         1)     Be realistic. Your script probably won't be performed on Broadway or turned into a blockbuster movie. Avoid special effects, amazing stunts, or anything else that can't be accomplished by ordinary kids. Keep costumes, sets, and props to a minimum. Writing in the readers theatre format is one of the best ways to create a play that's simple to stage but exciting in content.

2)     Use an adjustable cast.  Of course, you want to follow publishers' guidelines about size of cast and number of female/male roles. But you can make your play adaptable to various situations by building in some casting flexibility. When possible, include group characters like "Other Students" or "Rest of Student Council." Use some unisex names for characters or double up on titles, such as "Aunt/Uncle" or "Mr./Ms." Adding a narrator provides a large  and handy gender neutral part.

3)     Spread the glory around. Not only is it difficult for one kid to carry most of a play, it's just no fun. All the actors want to have their moment – and their parents expect to see it. Instead of letting your main character do all the talking, distribute lines among a number of roles. If you use group characters (see #2), give them lines that allow for adlibs so everyone gets to say something. For example:
             Other Students: What? Are you kidding? I don't believe it! (Etc.)
           And most importantly, give secondary characters interesting personalities and some problems of their own – that makes them fun to play and entertaining to watch.

4)     Make sure your dialogue rings true. Some characters need to sound pompous, old-fashioned, affected, formal, or otherwise theatrical. Those parts are usually easy to write! Creating realistic dialogue for contemporary young characters can be much more challenging. Real kids don't speak lyrically, reciting over-their-heads vocabulary with perfect grammar. They use contractions and slang, start new sentences without finishing old ones, and interrupt each other. Listen to kids talk to get an idea of how to recreate their conversations, read your dialogue out loud with a critical ear, and polish, polish, polish. Nothing is more essential to a good play than well-written dialogue!  

5)     Step outside the box. Today's kids are used to media that breaks boundaries. They've experienced actors who speak directly to the camera, characters who "know" they're in a television program, and games that allow almost-real interaction. So don’t be afraid to experiment a little with your play! Let the narrator express personal opinions about what's happening onstage. Allow your main character to argue with the narrator. Place a heckler in the audience or bring an audience member on stage. This kind of creativity works especially well in humorous scripts, but it can also add emotional impact to serious plays.

6)     Tell a story. Despite its different format, a play is still a story – and you want to make it a good one! Create a relatable main character, give him/her a problem worth caring about, go through a complete story arc, end up with a good lesson that's not too heavy-handed, etc., etc., just as you would when writing a kids' story or book. This doesn't just apply to serious drama – funny plays need to be well-written, too! Skits constructed of nothing but jokes, gags, and one-liners can be fun, but they're not really satisfying to audiences, young performers, or the adults who work with kids. Make your script meaningful, as well as entertaining. That's the kind of play that gets published and performed!

Want to sell your plays? Here are some possible markets.



Friday, September 26, 2014

What is Readers Theatre Anyway?

Readers’ theater is easier theater! Actors don’t memorize their lines—they simply read from their scripts. Because memorization isn’t an issue, more students are able to handle large roles. Also, extensive rehearsal isn’t necessary. And, unlike “regular” theater, a readers’ theater production isn’t thrown into a tailspin by memory lapses or absences.

Other aspects of readers’ theater are easy, too. Sets, costumes, props, and even movement are not needed as the plays are written to work without them. The extras can be included if desired, but readers’ theater works even if the actors just sit there and read!

How Do I Get Started?
Before you use a readers’ theater play, read it yourself and make sure the content, theme, and vocabulary are appropriate for your students. Decide whether you need to preview any concepts or vocabulary. If you are thinking about staging the play for an audience, consider which students might fit which roles, but don’t set your cast just yet.

Once you decide on a play, make as many copies of the script as there are parts plus one for yourself. Highlight one character’s lines in each copy (except yours) to make it easier for kids to read. Covering or binding scripts will help them last through multiple readings.

After giving students time to read through their scripts silently, have them read the play aloud, changing roles with each scene if you wish. This kind of read-through makes a good, one-time, supplemental activity, but you can do much more with readers’ theater!

For example, you could have students read a particular script multiple times on different days. The repetition gives you several opportunities to teach comprehension skills like character traits, motivation, story structure, theme, and cause-and-effect. And rereading allows kids to relax about the reading itself and develop a deeper understanding of the characters and theme of the play.

Multiple readings also improve fluency and expression. You can help with these skills by asking questions about the characters’ feelings and motivation. If a student has difficulty with expression, “echo reading” can help. You model his lines with good expression and have him copy you. It doesn’t usually take much of this practice to get a young actor on the right track. Allowing students to record themselves as they read their lines and listen afterwards also develops better expression.

After several readings, you might want to move students from their seats to a traditional readers’ theater set-up. The actors in readers’ theater usually sit on stools or chairs throughout the play, holding and reading their scripts. Sometimes the actors sit with their backs to the audience, “entering” by facing front and reading their lines and “exiting” by turning around again. The narrator might stand to one side or read from a lectern. This kind of staging can make readers’ theater more fun for your students and motivate them to further improve their performances.


For more about theater, go to my website and click on the Theatre for Teachers tab.

And here are some readers theatre collections I wrote:

     These humorous readers theatre scripts offer real-life settings and contemporary characters. Each play pokes gentle fun at annoying traits, school-based dilemmas, or the embarrassing moments that are part of growing up. With resolutions that emphasize creative solutions, humor, or cleverness, these plays work to improve language arts skills. (Grades 4 to 8)

     This collection of humorous, contemporary plays is organized around special times of year such as holidays, the first day of school, a snow day, etc. Teachers can find an appropriate readers theatre script at almost any time with this valuable resource, and kids will have fun improving their language arts skills as they perform these plays. (Grades 6 to 8) 

     Twelve humorous readers theater scripts engage and entertain students in fourth through eighth grades. The book includes a play for every month of the year. Each script features a contemporary kid in a real-life situation—and a saint who helps him or her solve the problem! (Grades 4 to 8)


Wednesday, August 20, 2014

It's that time again!

It's time for school to start! Here's a handy resource for teachers to use throughout the school year. (Yes, it's one of mine from ABC-CLIO!)  All Year Long! Funny Readers Theatre for Life's Special Times  offers easy-to-use plays themed to different times of the year -- first day of school, Labor Day, Columbus Day, St. Valentine's Day, a snow day, etc., etc. Check out this video about the book. (It's the first one I ever made using Movie Maker, a program that, unbeknowst to me for quite some time, was lurking on my computer!)


Wednesday, January 9, 2013

6 Tips for Writing Kids' Plays


If you write for children, don't limit yourself to traditional fiction. Use your story-telling skills to create plays kids will love. Here are a few suggestions about how to do it:
1)     Be realistic. Your script probably won't be performed on Broadway or turned into a blockbuster movie. Avoid special effects, amazing stunts, or anything else that can't be accomplished by ordinary kids. Keep costumes, sets, and props to a minimum. Writing in the readers theatre format is one of the best ways to create a play that's simple to stage but exciting in content.
2)     Use an adjustable cast.  Of course, you want to follow publishers' guidelines about size of cast and number of female/male roles. But you can make your play adaptable to various situations by building in some casting flexibility. When possible, include group characters like "Other Students" or "Rest of Student Council." Use some unisex names for characters or double up on titles, such as "Aunt/Uncle" or "Mr./Ms." Adding a narrator provides a large  and handy gender neutral part.

3)     Spread the glory around. Not only is it difficult for one kid to carry most of a play, it's just no fun. All the actors want to have their moment – and their parents expect to see it. Instead of letting your main character do all the talking, distribute lines among a number of roles. If you use group characters (see #2), give them lines that allow for adlibs so everyone gets to say something. For example:
             Other Students: What? Are you kidding? I don't believe it! (Etc.)
           And most importantly, give secondary characters interesting personalities and some problems of their own – that makes them fun to play and entertaining to watch.

4)     Make sure your dialogue rings true. Some characters need to sound pompous, old-fashioned, affected, formal, or otherwise theatrical. Those parts are usually easy to write! Creating realistic dialogue for contemporary young characters can be much more challenging. Real kids don't speak lyrically, reciting over-their-heads vocabulary with perfect grammar. They use contractions and slang, start new sentences without finishing old ones, and interrupt each other. Listen to kids talk to get an idea of how to recreate their conversations, read your dialogue out loud with a critical ear, and polish, polish, polish. Nothing is more essential to a good play than well-written dialogue!  

5)     Step outside the box. Today's kids are used to media that breaks boundaries. They've experienced actors who speak directly to the camera, characters who "know" they're in a television program, and games that allow almost-real interaction. So don’t be afraid to experiment a little with your play! Let the narrator express personal opinions about what's happening onstage. Allow your main character to argue with the narrator. Place a heckler in the audience or bring an audience member on stage. This kind of creativity works especially well in humorous scripts, but it can also add emotional impact to serious plays.

6)     Tell a story. Despite its different format, a play is still a story – and you want to make it a good one! Create a relatable main character, give him/her a problem worth caring about, go through a complete story arc, end up with a good lesson that's not too heavy-handed, etc., etc., just as you would when writing a kids' story or book. This doesn't just apply to serious drama – funny plays need to be well-written, too! Skits constructed of nothing but jokes, gags, and one-liners can be fun, but they're not really satisfying to audiences, young performers, or the adults who work with kids. Make your script meaningful, as well as entertaining. That's the kind of play that gets published and performed!

Monday, February 13, 2012

Writing Plays for Kids


If you write for children, don't limit yourself to traditional fiction. Use your story-telling skills to create plays kids will love. For suggestions about how to do that, see my article "6 Tips on Writing Plays for Kids" on the Guide to Literary Agents Blog. For information about potential markets for your plays, check out the "Play Markets" tab on my website. Good luck, playwrights!

Tuesday, May 11, 2010

Just Deal With It!

Here's a video about my first books of plays -- Just Deal With It! Funny Readers Theatre For Life's Not-So-Funny Moments. The book includes 19 funny plays about contemporary kids with real-life problems. My working title for the book was Not For Weak Stomachs, which conveyed the humor of the book but sounded just a little too...well...disgusting! Click here to view the video.